Since the band only had one album at the time, during their 2011-2012 performances at the San Diego Zoo, the band decided to change this album to feature just the current robot lineup. By 2011, founding member Erin Burke (who played the robot Upgrade) had left the band to pursue other opportunities. While some of them will go into storage, a selection will be hung on a sliding wall in the new museum’s Legacy Room, which has been designed with the panels and the many people who have been charmed by them in mind.ĭo you have special memories of the café at the Burke? We would love to hear about them in the comments below.Steam Powered Giraffe's very first album was originally released in 2009. The panels are now part of the Burke’s permanent collection, says Keister. Once the café opened in July 1979, it became a popular and beloved hangout until closing its doors last fall. Seeking them out in storage, he knew the wood room, which included several sets of doors, over-the-door paintings and a limestone fireplace, would transform the space. Robert Free, an assistant director at the museum, deserves credit for putting the panels and the café together. When, just a few years later, the Burke wanted to create a café space, magic happened. According to the Board of Regents meeting minutes in 1968, the Brechemins’ gift of the panels would be used in the “new wing of the Music Building.”īut that new wing was not in the offing. Their granddaughter Debra Person recalls they had a similar wood-clad music space at their home on Orcas Island. Louis had been a concert pianist and Charlotte the daughter of the Bloedel timber family. Charlotte and Louis Brechemin, who provided annual scholarships for UW music students, bought the boiserie. And for a very brief time, the University owned the mansion and the panels inside it.īut the neighbors didn’t like the idea of the UW in their backyards and the mansion was sold to a Seattle businessman who removed the boiserie and offered it up for auction in New York in the spring of 1967.Īt this point another prominent Seattle family with UW ties joins the story. Padelford, son of the prominent dean of the UW Graduate School. Adding an interesting twist, the Frederick family’s ties with the University included their daughter Fay, who married Philip S. His grandmother lived in the home until her death in 1959. “To use the panels and other such overlays gave the residence a kind of instant patina of history.” “The Highlands house is reinforced concrete,” notes Padelford. Their grandson, Donald Padelford, says he was told the panels came from the residence of a noble in Italy. They had just sold their interest in the successful store and hired Beaux Arts architect Lewis Hobart to design a near-castle of more than 18,000 square feet. It was the home of Donald Edward Frederick, one of the founders of Frederick & Nelson Department Store, and his young wife Fay Swick Frederick. They came to Seattle to be installed in a newly-built mansion in the Seattle Highlands. Or maybe from the grounds of Versailles.įor now, their tale starts in 1931 at a port in Venice, according to records in the UW archives. Details have been lost through retirements and time, though some recent theories among alumni and staff include that they came from a Seattle mansion. The provenance of the paneling has been something of a mystery, says Hollye Keister, ’04, who manages fine art in the Burke’s collection. Then, of course, there’s also the question of how a museum of Northwest culture and natural history ended up with the nearly 12-foot-tall European panels in the first place. What will become of all that when the museum moves across the parking lot and into the New Burke in 2019? That’s one of the most frequently asked questions around the museum project, according to staffers.
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